Afoxés & Blocos Afros
Afoxé (ah-fo-SHEH) is basically candomblé with the religion taken out...the use of candomblé rhythms and "songs" in social, non-religious settings like Carnival and weekly dances. The principal rhythm associated with afoxé is ijexá (ee-zheh-SHAH), a more subtle and complicated version of what you might hear pounded out on the Maxwell House coffee can for a late-hours Manhattan cocktail party conga line (a modified version was also used in composer Stan Worth's theme for the 1960s George of the Jungle cartoon series). On terreiros de candomblé ijexá is associated with Oxalá (the father) and Oxum (goddess of sweet waters).
Embaixada Africana (African Embassy) was the first afoxé,
parading in the Carnival of 1895. The next year afoxé Pândego
da África (African Hijinks) went out, and in 1905 an afoxé
climbed the Ladeira da Barroquinha to parade up the Ladeira de São
Bento, thereby breaking a tacit understanding that the Carnival groups
from the lower (and darker) economic classes had their areas (Baixa dos
Sapateiros, Barroquinha, Pelourinho) and the upper classes had theirs (Avenida Sete de Setembro, Piedade). Salvador's largest and most
widely known afoxé -- Filhos de
Gandhy -- was formed in 1949 by a stevedore whose inspiration
was the great Indian leader and pacifist (who had been assassinated the
year before). Other afoxés include Filhos de Korin Efan, Badauê, and Filhas de Oxum. From 1904 until 1918 afoxés were forbidden to march during Carnival, ostensibly to combat "crime, ao deboche, e à desordem (crime, debauchery, and disorder)".
Blocos Afros are Carnival blocos (groups) which, put simply,
celebrate cultural manifestations of African origin. The rhythms
are usually based in samba reggae and the dress is African-inspired
(in contrast to afoxé Filhos de Gandhy, whose robes draw
their inspiration from the Indian subcontinent). Olodum, Ilê Aiyê, and Ara Ketu are the three biggest and
best-known blocos afros...Ara Ketu -- and in international terms Olodum
to an even greater degree -- having achieved significant commercial success.
Other blocos afros include Muzenza (from Liberdade), and Malê
de Balê (of Itapoan), who drew the inspiration for their name
from the Malê Revolt.